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Tuesday, May 21, 2024

Asian-Americans in U.S. Films

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Timothy Trainer
Timothy Trainerhttps://timothytrainer.com/
Timothy Trainer was born in Japan and is an Army brat and served in the Army. After earning multiple degrees and studying in Japan, he moved to the Washington, DC area. As an attorney, he has focused on intellectual property issues and has been engaged in that work since 1990. He has worked in government agencies and in the private sector. His work has taken him to roughly 60 countries around the world. He has worked with INTERPOL's Intellectual Property Crime Action Group, the UN's Economic Commission for Europe and, as a former attorney with the U.S. Patent and Trademark Office, represented the U.S. at meetings of the World Intellectual Property Organization. He was a cleared industry advisor to the U.S. Department of Commerce and the Office of the U.S. Trade Representative from 2000 to 2020.

In 2020, a South Korean movie, Parasite, won the Oscar for best picture.  Being a South Korean production, it had an Asian cast.  This begs the question, what about our Asian-American actors and actresses and their opportunities in today’s films that are American made?  In a New York Times article in November 2018, a University of Southern California study was cited as finding that Asian-Americans represented only ONE percent of all leading roles in Hollywood.

It is difficult, if not impossible, to believe that there are no original works such as books, short stories, screenplays and other sources that cannot be adapted for movies and television that include major roles for Asian-Americans.  One would think that there must be opportunities beyond playing roles in martial arts films, stories about the Triads or Yakuza, and other crime/police-based stories.  The NY Times article mentioned movies such as Crazy Rich Asians and The Joy Luck Club as having all-Asian casts.  These two movies tended toward social and cultural issues.  In nearly thirty years, these are the only two movies with all-Asian casts.

The issue is less about all-Asian casts and more about substantive roles for Asian actors and actresses.  The novel, Pendulum Over the Pacific, published a few years ago, though not a best-seller on any list, is the type of original material that could broaden the kind of work available to Asian-American actors and actresses.  A novel such as Pendulum, set in Tokyo and Washington, DC, provides both opportunities and substance of characters for Asian-American actors and actresses.  The novel’s Japanese characters include a translator, doctor, journalist and a police officer as well as other supporting characters.

The potential for interesting and substantive roles for Asian-American actors and actresses should be exploding as there are more dynamic changes in the real world.  The rise of China as an economic global power and the fast-paced changes in Vietnam are just a couple of examples where real-world changes are rich areas for future stories to be told in film.  The tensions that we read about every day between the United States and our Asian trading partners should allow for future entertainment. 

The time is ripe for Asian-American actors and actresses to look for greater depth of character and breadth of roles in a more complex world.

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